News

29.02.2024

Award for the DNT Weimar!

The German Theatre Publishers' Prize 2024 goes to the music theatre department of the Deutsches Nationaltheater Weimar for its impressive efforts in the field of contemporary music theatre.

"The fact that music theatre is written and composed in our time for our time, and thus becomes an indispensable part of the repertoire, is both a commitment and a self-conception of Andrea Moses, Michael Höppner and Dominik Beykirch, who have headed the DNT's music theatre department since 2021. [...] With its decision, the jury honours the perseverance, passion and care with which the DNT is committed to contemporary music theatre," writes the Association of German Stage and Media Publishers (VDB).

Live

21. March 2026
DIE TOTE STADT (Premiere)

Opera by Erich Wolfang Korngold


7.30 p.m., Großes Haus
Deutsches Nationaltheater Weimar


Director: Dorian Dreher

Staatskapelle Weimar

Details
27. March 2026
DIE TOTE STADT

Opera by Erich Wolfang Korngold


7.30 p.m., Großes Haus
Deutsches Nationaltheater Weimar


Director: Dorian Dreher

Staatskapelle Weimar

Details
04. April 2026
DIE TOTE STADT

Opera by Erich Wolfang Korngold


7.30 p.m., Großes Haus
Deutsches Nationaltheater Weimar


Director: Dorian Dreher

Staatskapelle Weimar

Details
13. April 2026
Symphony Concert

Works by Cécile Chaminade, Jacques Ibert and Robert Schumann


7.30 p.m., Kongress am Park
Augsburg


Rozália Szabó, flute

Augsburger Philharmoniker

Details
14. April 2026
Symphony Concert

Works by Cécile Chaminade, Jacques Ibert and Robert Schumann


7.30 p.m., Kongress am Park
Augsburg


Rozália Szabó, flute

Augsburger Philharmoniker

Details
19. April 2026
DIE TOTE STADT

Opera by Erich Wolfang Korngold


4 p.m., Großes Haus
Deutsches Nationaltheater Weimar


Director: Dorian Dreher

Staatskapelle Weimar

Details
22. May 2026
DIE TOTE STADT

Opera by Erich Wolfang Korngold


7.30 p.m., Großes Haus
Deutsches Nationaltheater Weimar


Director: Dorian Dreher

Staatskapelle Weimar

Details
28. June 2026
Symphony Concert

Works by Elfrida Andrée, Launy Grøndahl and Jean Sibelius


11 a.m., Konzertsaal
Musik- und Kongresshalle Lübeck


Stephan Gerblinger, trombone

Philharmonisches Orchester der Hansestadt Lübeck

Details
29. June 2026
Youth Concert

Jean Sibelius: Symphony No. 2, D Major op. 43


11 a.m., Konzertsaal
Musik- und Kongresshalle Lübeck


Lea Mejía - concept and moderation

Philharmonisches Orchester der Hansestadt Lübeck

Details
29. June 2026
Symphony Concert

Works by Elfrida Andrée, Launy Grøndahl and Jean Sibelius


7.30 p.m., Konzertsaal
Musik- und Kongresshalle Lübeck


Stephan Gerblinger, trombone

Philharmonisches Orchester der Hansestadt Lübeck

Details

Career

The German conductor Dominik Beykirch has been responsible for shaping the artistic profile of the Deutsches Nationaltheater (DNT) and the Staatskapelle Weimar since the 2015/16 season, most recently in the position of Music Director. Throughout this period, he has consistently upheld the highest standards of excellence. From the 2025/26 season onwards, however, he intends to pursue new opportunities, performing as a freelance conductor at various opera houses and concert halls.

Dominik Beykirch's highlights for the 2025/26 season include his debut in the orchestra pit of the Semperoper Dresden with Engelbert Humperdinck's Hänsel und Gretel, as well as new productions of Die tote Stadt by Erich Wolfgang Korngold at the German National Theatre Weimar (director: Dorian Dreher) and Johann Strauss' Die Fledermaus at the Staatstheater Schwerin (director: Stephanie Schimmer). In the concert field, he is particularly looking forward to working with percussionist Vivi Vassileva (Recycling Concerto with the Mecklenburg State Orchestra) and with pianist Alexander Krichel in a concert with the Brandenburg State Orchestra Frankfurt. He is also looking forward to performing exciting programmes featuring works by Elfrida Andrée, Cécile Chaminade, Florence Price and Alice Mary Smith. He will be making his first guest appearances with the Augsburg Philharmonic Orchestra and the Philharmonic Orchestra of the Hanseatic City of Lübeck, among others.

Dominik Beykirch continues to make a name for himself internationally through his work as an opera conductor. At the Deutsches Nationaltheater (DNT), his initiative led to the first performance in 170 years of the opera Samson by Swiss composer Joachim Raff (director: Calixto Bieito) in October 2022. During the 2019/2020 season, Beykirch enjoyed great success with Paul Dessau's opera Lanzelot, which had not been performed for 40 years. The production, directed by Peter Konwitschny, was named ‘Rediscovery of the Year’ by the trade journal Opernwelt, which also nominated Beykirch as ‘Conductor of the Year’. In January 2023, the CD label audite released a recording of the complete opera. This recording received significant press attention and was awarded the German Record Critics' Prize and the 'CD of the Year' prize by Opernwelt, as well as having been nominated for the International Opera Awards. New productions such as Richard Strauss' Ariadne auf Naxos in Martin G. Berger's award-winning production (FAUST Prize 2020), Salome (director: Friederike Blum), Vincenzo Bellini's I Capuleti e i Montecchi (directors: Jossi Wieler and Sergio Morabito), Der fliegende Holländer (directed by Barbora Horáková), Aida and La traviata (directed by Andrea Moses) and L'italiana in Algeri (directed by Tobias Kratzer) were all also very well received by audiences and the trade press. In recognition of their conceptual work in the opera department of the Deutsches Nationaltheater (DNT), Dominik Beykirch, Michael Höppner (senior dramaturg) and Andrea Moses (opera director) were awarded the 2024 German Theatre Publishers' Award. Thanks to the precision of Beykirch’s craftsmanship, his sensitivity to the needs of singers and to his musical enthusiasm, he has also created exceptional theatrical events at other opera houses, such as the Royal Opera in Copenhagen, the Leipzig Opera, the Kassel State Theatre and the Chemnitz Theatre.

When it comes to concerts, Dominik Beykirch has long been a highly sought-after guest conductor. He has collaborated with numerous renowned orchestras, including the HR, MDR, SWR and WDR symphony orchestras, the Staatskapelle Dresden, the Gewandhaus Orchestra Leipzig, the Dresden Philharmonic, the Berlin Radio Symphony Orchestra, the Duisburg Philharmonic, the Staatskapelle Halle, the Bremen Philharmonic, the Nuremberg Symphony Orchestra, the Philharmonie Zuidnederland, the Württemberg Philharmonic Orchestra Reutlingen, and the Rheinische Philharmonie State Orchestra. He has also performed with soloists such as Nemanja Radulovic, Cameron Carpenter, Jens Peter Maintz, Jan Vogler, Danae Dörken, Michael Barenboim, Harriet Krijgh and Claudio Bohórquez.

Dominik Beykirch enjoys an intensive collaborative relationship with the pianist Frank Dupree. Together, they have introduced a wide audience to Nikolai Kapustin's piano concertos. Their second joint recording, featuring Kapustin's second and sixth piano concertos with the SWR Symphony Orchestra and SWR Big Band, was released in November 2024. Dominik Beykirch was nominated in the category Conductor of the Year at the OPUS Klassik awards for his multi-award-winning recording of Kapustin's Fifth Piano Concerto (International Classical Music Award, Diapason d'Or), released in February 2023. In 2020, the Berlin Classics label released the album Clarinet Concertos, featuring clarinettist Sebastian Manz performing Carl Nielsen's Clarinet Concerto with the Deutsche Radio Philharmonie Saarbrücken under Beykirch's direction. Beykirch also recorded Prokofiev's Peter and the Wolf (narrator: Malte Arkona) with the Dresden Philharmonic for Berlin Classics.

Dominik Beykirch completed his studies at the Franz Liszt University of Music in Weimar, studying conducting under Prof. Nicolás Pasquet, Prof. Gunter Kahlert and Martin Hoff. He gained valuable artistic inspiration from renowned conductors such as Bernard Haitink, Jukka-Pekka Saraste and Ton Koopman, among others, and as a scholarship holder in the Conductors' Forum of the German Music Council. He now shares his experience in master classes and by teaching at the Felix Mendelssohn Bartholdy University of Music and Theatre in Leipzig. During the winter semester of 2024/25, he also taught the main Orchestral Conducting class at the Franz Liszt University of Music in Weimar.

Status: September 2025
Please do not use older biographies.
Any changes require the prior approval of Grunau & Paulus Music Management.

Presse

 «Wenn Dominik Beykirch nicht sowieso schon ein Publikumsliebling in Weimar wäre – jetzt hätte der 29-jährige Kapellmeister der Staatskapelle, der obendrein das Material in aufwendiger Vorarbeit eingerichtet hat, wohl den letzten Zweifler überzeugt! Atemberaubend wie der den gewaltigen Orchesterapparat zusammenhält, zwischen entfesseltem Losdonnern und kammermusikalischer Rücknahme wechselt, die Sänger stützt und Freude an den zitierenden Passagen in Dessaus Partitur zelebriert.»

Joachim Lange
nmz
24.11.2019

 «Dirigent Dominik Beykirch hatte nicht nur Chormassen und Dutzende von Solisten unter Kontrolle zu halten, sondern auch vierzehn Bühnenmusiker, einen riesigen Orchesterapparat im Graben [...] Dabei verfiel er nicht in den Fehler, dieses wuchtige Werk auch wuchtig zu interpretieren, im Gegenteil, es waren gerade die intimen Stellen, die besonders beeindruckten, etwa ein Dialog von Lanzelot mit einem traurigen Cello.»

Peter Jungblut
BR-Bayerischer Rundfunk Kultur
23.11.2019

«[Beykirch] treibt die Musik in den Irrsinn und hält sie doch beisammen in diesen grotesken Finali, die so schnell sind, aber auch so sicher, sowohl vom Orchester als auch von allen Sängern […].»

Uwe Friedrich in „Fazit“
Deutschlandradio Kultur
15.10.2016
 

«Ob Rossini für den gewünschten Effekt eine gewagte harmonische Wendung wählt oder eine unverschämt banale – Beykirch entgeht nichts. Er hat jeden Stimmungswechsel genau studiert, bereitet die Wendepunkte elegant vor, unterstreicht sie mit wechselnden Klangfarben und originellen Orchesterdetails. Bei aller Freude an dieser Musik vergisst er jedoch nie, dass die italienische Oper dieser Epoche immer auch ein Sängervehikel ist.»

Uwe Friedrich
Opernwelt
Dezember 2016

«Der Staatskapelle Weimar unter der exzellenten Leitung ihres Zweiten Kapellmeisters Dominik Beykirch konnte man das Vergnügen an der Partitur anhören.»

Frauke Adrians
Opernwelt
Januar 2016

«Zum Triumph auf ganzer Linie wird seine erste eigene Operneinstudierung am Haus für den jungen Kapellmeister Dominik Beykirch. Er ermöglicht der Staatskapelle Weimar ein fantastisches Gemeinschaftserlebnis zwischen Bühne und Graben: Beykirch hat stimmig tolle Tempo- und Klangrelationen und ist ein echter szenischer Teamplayer.»

Roland H. Dippel
Die Deutsche Bühne
16.10.2016

«Dass sich das HR-Sinfonieorchester bei der Begleitung der Cellistin diskret, aber durchaus fein nuanciert zurückhielt, war dem zweiten Debütanten des Abends, dem Dirigenten Dominik Beykirch, zu verdanken. [...] Seine Zeichengebung ist bei aller Präzision wohltuend geschmeidig. Man sieht genau, welche Klangvorstellung er am Pult verwirklicht haben will. So konnte Beykirch schon bei der eingangs gespielten "Pulcinella-Suite" von Strawinsky mit einer Interpretation punkten, die rhythmische Finesse mit virtuoser Leichtigkeit und apartem Klangkolorit verband.»

Michael Dellith
Frankfurter Neue Presse
19.11.2016

Discography

Nikolai Kapustin: Piano Concertos Nos. 2 & 6

Nikolai Kapustin

Nikolai Kapustin (1937–2020): Piano Concerto No. 2 op. 14 & No. 6 op. 74; Variations op. 3 and Toccata op. 8 for piano & big band; Nocturne op. 16 and Concert Rhapsody op. 25 for piano & orchestra

Frank Dupree, SWR Big Band, SWR Symphonieorchester, Dominik Beykirch


It was a small miracle when Nikolai Kapustin's music was discovered by a wider audience in the West: Who was this Soviet (!) composer, whose works sounded most like Oscar Peterson improvisations ... and yet were fully composed "classical" music, with complicated scores, all black with notes?! As we are now discovering more and more of Kapustin's music, and as can be heard on this recording, Kapustin developed his style subtly and steadily. He moves with the times; the jazz that influences him changes over the years and so does his music. In this sense, Kapustin never really settled on a "found style" for himself, but remained flexible with regard to the material that inspired him - but also its integration into the classical orchestral body. Kapustin's style, in this sense, is only that he fused jazz and classical music so inseparably.


Release date: 01.11.2024
Label: Capriccio
Youtube | Kaufen auf JPC

Nikolai Kapustin: Piano Concerto No. 5

Nikolai Kapustin

Nikolai Kapustin (1937-2020): Piano Concerto No. 5 op. 72; Concerto for two pianos & percussion op. 104; Sinfonietta op. 49 for piano 4-hands

Frank Dupree, Adrian Brendle, Rundfunk-Sinfonieorchester Berlin, Dominik Beykirch


It was a small miracle when Nikolai Kapustin's music was discovered by a wider audience in the West: Who was this Soviet (!) composer whose works sounded most like Oscar Peterson improvisations ... and yet were fully composed "classical" music, with complicated scores, all black with notes?! As we now discover more and more of Kapustin's music (and there is still a lot of unheard music!), despite all the supposedly familiar musical borrowings, a very individual, always enchanting voice crystallises: whether in such an unapologetically jazzy piece as the Concerto for Two Pianos and Percussion, the symphonic 5th Piano Concerto or the cheeky Sinfonietta, which seems to transport us to a smoky bar in 1940s Manhattan.


Release date: 03.02.2023
Label: Capriccio
Youtube | Buy on JPC

Lanzelot

Lanzelot

Opera by Paul Dessau (1894–1979)

Emily Hindrichs, Mate Solyom-Nagy, Oleksandr Pushniak, Wolfgang Schwaninger, Uwe Stickert u.a., Opernchor des Deutschen Nationaltheaters Weimar, Chor des Theaters Erfurt, Kinderchor schola cantorum Weimar, Staatskapelle Weimar, Dominik Beykirch


Lanzelot only saw three productions during Dessau's lifetime, after which the play disappeared from the stage, and a recording was never produced. It was only 50 years after the premiere that the National Theatre Weimar and the Erfurt Theatre dared to take on the challenges of the play again. Lanzelot was staged in Weimar at the end of 2019 by Peter Konwitschny and directed by Dominik Beykirch, but unfortunately, the Erfurt takeover was thwarted by the coronavirus pandemic. This edited recording demonstrates the power of Paul Dessau's music and its message, which is still burningly relevant today, three decades after the end of the Cold War.


Release date: 05.01.2023
Label: Audite
Youtube | Buy on JPC

Malte & Mezzo – Die Klassikentdecker: Peter und der Wolf

Malte & Mezzo – Die Klassikentdecker: Peter und der Wolf

With works by Sergeij Prokofieff (1891-1953), Text version by Loriot

Malte Arkona (narrator), Dresdner Philharmonie, Dominik Beykirch


Mezzo finds simply walking through the forest boring, he would much rather relax at home and put his feet up. If only there was a chip tree! The only thing that helps is an exciting story that has been told for many years. A scary wolf is spreading fear and terror. It's suddenly so quiet on the pond. Where is the grumpy duck? Can the cat in the tree hold back its hunger? Or will it get in the way of Peter and the brave bird? Because the two of them already have a plan that Peter's grandfather and the tipsy hunters can only marvel at...


Release date: 26.03.2021
Label: Berlin Classics
Youtube | Buy on JPC

Sebastian Manz – Clarinet Concertos
Nielsen & Lindberg

Sebastian Manz – Clarinet Concertos
Nielsen & Lindberg

With works by Carl Nielsen (1865-1931) and Magnus Lindberg (born 1958)

Sebastian Manz (clarinet), Deutsche Radio Philharmonie, Dominik Beykirch, Magnus Lindberg


On his new album, Sebastian Manz explores the clarinet concertos by Danish composer Carl Nielsen and Finnish composer Magnus Lindberg. Both are known for creating overwhelming, abstract sound structures that allow the nature of their home countries to appear before their listeners like a sound painting. Together with the Deutsche Radio Philharmonie Saarbrücken-Kaiserslautern, Sebastian Manz presents three works that transport the listener to Nordic landscapes and paint audible sound pictures despite their musical complexity.


Release date: 04.09.2020
Label: Berlin Classics
Youtube | Buy on JPC

Media

In the media kit, you will find high-resolution print photos available free of charge as well as my curriculum vitae in Word format. I would be delighted to receive a copy of any review or article.

Contact

GENERALMANAGEMENT
GRUNAU & PAULUS MUSIC MANAGEMENT

JONAS GRUNAU
T: +49(0)5121 7558421
M:+49(0)179 922 1569
grunau@grunau-paulus.com

Dominik Beykirch
info@dominik-beykirch.de

Impressum
Information according to § 5 TMG

Publisher and responsible:
Dominik Beykirch
Steubenstraße 35
99423 Weimar

Contact:
E-mail: info@dominik-beykirch.de 
Phone: +49 3643 858770

English Translation (in parts): Cosima Hofacker
Photos: Nikolaj Lund

Website by schech.net

Kontakt
Impressum